greenstorm (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
greenstorm) wrote2022-03-15 11:00 am
greenstorm) wrote2022-03-15 11:00 am
Wordjam
The as-yet-unnamed property. Viriditas? Maybe, maybe not. Hole in the wood? No. Greenheart? Maybe, maybe not. Its heart is the meter-in-diameter trees that guide a very flashy creek across it. Big. Old-ish. Mossy. Trickles of water over rock in summer, a roar at certain times of winter. That's the heart.
Before you come to the heart you are on a logging road that mysteriously starts being paved. There are plantations all around: second or third growth (probably second) all well-spaced straight uniform conifer trunks with jagged stumps of shaded, partially-jettisoned lower limbs, all dripping with green moss and undergrown with sword fern (polystichum munitum, stick'em like you do with a sword, munitions like weapons: sword fern). The road is pretty straight for a bit. Then the trees are less uniform, there's a spot that wasn't replanted by a forestry company, and a driveway goes in both directions: east and west.
Follow the driveway up west and, after a narrow band of bigleaf maple and spruce and improbably large alder there's a thicket of salmonberry (rich moist indicator) with some young bigleaf maples and spruce and alder coming up through it. This is where the fields will be. The soil is sandy brown under dead winter leaves. The end of this space is marked by a little lean-to-camper-shelter building that someone was living in so we couldn't poke around; that's the edge of the rich sandy soil full of salmonberries, the demarcation between that and the heart.
The heart is cautious. I'm not sure if it's beyond words or if it's waiting to see what I'll do before giving them to me or if I was just busy, my whole body an antenna picking up every scrap of information from the land while a human was trying to talk to me at the same time. It's a place that, if given my full attention, could fully occupy it. The big potato-chip bark spruce trees, the braided stream through mostly-soil-sometimes-rock, the start of skunk cabbage: the heart. It's not to be disturbed by the likes of me and my farming machinations.
Keep going up the driveway; it's definitely got a slight slope up now. The heart flows under the driveway through four culverts, three side-by-side and one additional. The forest opens out onto a wet lawn, brown and slippery with winter rain and dog poop. Here the soil is clay; ramshackle plastic fencing encloses an expanse of woodchips in which small trees and perennials are planted; beyond them woodchips surround some long thin unraised but undoubtedly heavily amended garden beds cradled in the curve of the question mark shape the driveway now assumes. On the other side of the grass from the garden is a small cobb structure with goats, surprisingly enclosed in equally ramshackle fencing and with little disturbance to the grass despite their couple-years-long tenure. That's for the best; a hole here betrays slick grey clay with no texture when rubbed between the fingers.
At the head of the lawn and garden is the house, but behind the house a steep sandy hill looms. It's covered in alder, leaning a little bit out for the light that is one of the major limiting factors here in the cloudy grey, and goes up about eighty feet: sunset will come quickly with that hill to the west like that. Anything that needs to have very dry roots will need to live on that hill: chestnuts, grapes.
The house itself is a rectangle studded with uniformly-sized windows. Irrigation for windowboxes hangs off it. The roof is flat. If it had angled wings instead of a straight rectangle, or if was stone, it would feel like a grand manor house. As is it's a big building waiting to see what happens next.
To the south, past the goats, less-even but still dense trees press up against the property line. In the milky-overcast noon sky they don't cast shade onto the middle of the lawn; when the sun is low in winter at least the deciduous components jettison their leaves and allow a little sun through. Hill to the west. Pass a waterfall, then a scatter of alder through grass and brush and a chainlink fence not far north: there's a neighbour past there that likes their privacy. Maybe a willow fence will end up there? And completing the circle, to the east, the driveway plunges into the deep shadowed green of the heart. Up here the property is about 200 feet wide, widening from the heart through down to the road to 400 feet. The house can feel the presence of her neighbours, of that plantation and of the privacy-loving neighbour of open fields screened by light brush and trees.
There's more, of course: the house has an inside, turning east from the forestry road leads to another several acres. I'm not there yet, though, I can feel the information and possibilities swirling and forming and re-forming into patterns and possibilities. Several things at a time, not every thing at a time.
Before you come to the heart you are on a logging road that mysteriously starts being paved. There are plantations all around: second or third growth (probably second) all well-spaced straight uniform conifer trunks with jagged stumps of shaded, partially-jettisoned lower limbs, all dripping with green moss and undergrown with sword fern (polystichum munitum, stick'em like you do with a sword, munitions like weapons: sword fern). The road is pretty straight for a bit. Then the trees are less uniform, there's a spot that wasn't replanted by a forestry company, and a driveway goes in both directions: east and west.
Follow the driveway up west and, after a narrow band of bigleaf maple and spruce and improbably large alder there's a thicket of salmonberry (rich moist indicator) with some young bigleaf maples and spruce and alder coming up through it. This is where the fields will be. The soil is sandy brown under dead winter leaves. The end of this space is marked by a little lean-to-camper-shelter building that someone was living in so we couldn't poke around; that's the edge of the rich sandy soil full of salmonberries, the demarcation between that and the heart.
The heart is cautious. I'm not sure if it's beyond words or if it's waiting to see what I'll do before giving them to me or if I was just busy, my whole body an antenna picking up every scrap of information from the land while a human was trying to talk to me at the same time. It's a place that, if given my full attention, could fully occupy it. The big potato-chip bark spruce trees, the braided stream through mostly-soil-sometimes-rock, the start of skunk cabbage: the heart. It's not to be disturbed by the likes of me and my farming machinations.
Keep going up the driveway; it's definitely got a slight slope up now. The heart flows under the driveway through four culverts, three side-by-side and one additional. The forest opens out onto a wet lawn, brown and slippery with winter rain and dog poop. Here the soil is clay; ramshackle plastic fencing encloses an expanse of woodchips in which small trees and perennials are planted; beyond them woodchips surround some long thin unraised but undoubtedly heavily amended garden beds cradled in the curve of the question mark shape the driveway now assumes. On the other side of the grass from the garden is a small cobb structure with goats, surprisingly enclosed in equally ramshackle fencing and with little disturbance to the grass despite their couple-years-long tenure. That's for the best; a hole here betrays slick grey clay with no texture when rubbed between the fingers.
At the head of the lawn and garden is the house, but behind the house a steep sandy hill looms. It's covered in alder, leaning a little bit out for the light that is one of the major limiting factors here in the cloudy grey, and goes up about eighty feet: sunset will come quickly with that hill to the west like that. Anything that needs to have very dry roots will need to live on that hill: chestnuts, grapes.
The house itself is a rectangle studded with uniformly-sized windows. Irrigation for windowboxes hangs off it. The roof is flat. If it had angled wings instead of a straight rectangle, or if was stone, it would feel like a grand manor house. As is it's a big building waiting to see what happens next.
To the south, past the goats, less-even but still dense trees press up against the property line. In the milky-overcast noon sky they don't cast shade onto the middle of the lawn; when the sun is low in winter at least the deciduous components jettison their leaves and allow a little sun through. Hill to the west. Pass a waterfall, then a scatter of alder through grass and brush and a chainlink fence not far north: there's a neighbour past there that likes their privacy. Maybe a willow fence will end up there? And completing the circle, to the east, the driveway plunges into the deep shadowed green of the heart. Up here the property is about 200 feet wide, widening from the heart through down to the road to 400 feet. The house can feel the presence of her neighbours, of that plantation and of the privacy-loving neighbour of open fields screened by light brush and trees.
There's more, of course: the house has an inside, turning east from the forestry road leads to another several acres. I'm not there yet, though, I can feel the information and possibilities swirling and forming and re-forming into patterns and possibilities. Several things at a time, not every thing at a time.
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you were moss-hunting for me! i feel loved. <3
and it makes sense that the Heart would feel private and not a photographable place, especially before you've had time to develop a deep relationship with it.
the land sounds so present and possible. brambly thick mossy woods and ferns and waterfalls and all.
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If I had written this chronologically it would have begun with us pulling up to the house, walking up to the first person we saw over by the goats, and my casually reaching down into a hole to sample the soil as we chatted with him. It was this pure soft liquid-feeling clay and I immediately thought, "can't have pigs here, they can't go near this soil or any forest on this soil, they'll destroy it. And no tilling. Plans have got to change"
It seemed not so possible then.
Luckily that soil is concentrated right there, and the sandy brown stuff is very possible to work. Otherwise it'd be a wet-fruit-tree, perennial, and goose system the whole way!
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i appreciate you, too, my friend!
and WHEW about that soil. all your work with the Ossabaw pigs! i can well imagine that perpetually wet pure clay soil would be incredibly challenging.
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