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Reached out to Angus and chatted a little. You know, if love feels like a steel cable anchoring me to someone, whatever it is between Angus and I is like the root of a mountain. It's quiet, it's not really above the surface, but so much of my being rests on it back when. I broke my moral code when I let Blake coerce me into not seeing Angus anymore; he doesn't hold it against me. We're still tied. He'd like to talk more and thinks of me often, as I do him.

It's been a long road since I first wrote about him, many good years and then many, many years apart. I'm glad to know the road does not only lead further apart always.

I'll have a video chat with Tillie this week. They think they might be PDA. They formed me as much as Angus did, though we've never been in formal structure nor lovers. It will be so good to talk, and to talk about those engines and locks at the heart of us. I only hope I have something to offer.

I suspect I will. Threaded through my journal are so many veins of PDA. I had no idea, but now I understand. I found this one tonight:

I tell stories. Let me tell you my story.

I have a ...process assigned to me. I don't know what it is, if it's sentient, any of that. I'd call it a character-building angel or a remarkably consistent twist of fate but that would lead you to believe I favour one over the other. I don't. I don't even favour the thought that it's unique to me over the thought that it's not. In my life, I have observed a process.

The process is attracted by certain words and turns of phrase. It's attracted, basically, by arrogance. Perhaps this is karma, the wheel turning on my intense arrogance and crushing it to dust.

...because, in a remarkably consistent and predictable way, this process crushes me to dust. There are two words that always call it, generally within a couple days but sometimes it lurks for up to two months before it powders me and all that's left is the dust of conviction blowing away in the wind. Those words are "always" and "never". All it takes is a sincere declaration: "I could never eat raw zucchini" or "I'll never leave you" or "I'll always be there for you".

I rarely slip up and use those words anymore. Sometimes I can get away with "always", when I think very hard of intentions rather than outcomes. I can often get away with "won't" or "will". It's the surety that the process takes note of.
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Everyone is doing their first/top instances of things: games, albums, movies, books, songs. None of that is mine. So I'm doing my first ten plants.

#1: Fennel. Before I remember anything else I remember the smell of fennel, not the bulb kind but the weedy kind that grew out of cracks in the stairs and sidewalks outside the apartment building in LA. I have no visual memory of the plants, but that scent is now associated with sugar-coated fennel seeds from Indian restaurants and tall feathery plants in back alleys in Vancouver. I haven't established fennel here yet, but I've established sweet cicily which is a very different, perennial, licorice umbellifer.

#2: Mexican fan palm. I don't have many visual memories, especially not from when I lived in the states before I was six. I was surprised to be driving down to Palm Springs and have the skyline of palm silhouettes against an evening sky bring back body feelings, scents, and Dire Straits albums playing. I haven't interacted with these up close very often but there is a rightness and a fitness to seeing them on the horizon around me that I can't replicate in any other way. Some days I wish I remained in my birth ecosystem, so I could keep that feeling forever.

#3: Ruby ball cactus/Moon cactus. When I was very young, still in LA, mom took me to the corner store and told me I could have anything I wanted in the store for my birthday. I chose a grafted cactus, one of the ones with a green column and a pink orb on top. I don't remember what happened to that plant: I'm relatively sure it didn't cross the border when we moved to Canada. The overwhelming majority of houseplants that are sold die; their genetics live on through clones but the individuals are thrown out, neglected, or killed by folks who don't know enough about plants to keep anything alive. In elementary school I did a science fair project where I grafted cactus, probably in part inspired by that original one. Maybe I should get myself another one of these and put it in my hot window? They're such a unique entity, the top without ability to photosynthesize because it lacks chlorophyll but propagated by humans because it's beautiful, the column supporting both mechanically and supplying food to the ornamental top.

#4: Prune plum. When we came to Canada we stayed in my grandma's house in Vancouver. In the back yard there was a tree, suckering so really a lot of trees. I don't remember plums from it but I remember its presence. My family sieved soil for that garden and made a pathway out of the rocks. I know that happened but I don't remember it. I do remember the pathway was right beside this plum tree. Maybe it was the first plant I fully understood to propagate itself coming from roots underground? I saw how where it was damaged or where it had sun new shoots would form and reach upwards. I don't remember it ever having a conventional tree shape, it was just bigger than a bush. A condo was later built on that lot and I revisited a few years ago. The café on the next lot over has a clump of plums in the corner, probably the same plums, and I have seldom wanted to dig a plant up and bring it home as much as I wanted to bring a scion of that plum home. I don't remember ever having tasted the fruit and I don't remember the flowers, but none of that is the point.

#5: Spider plant. Again this is connected to my grandma, when we first came to Canada. She was a gardener and had both indoor and outdoor plants. I was too young to be a gardener then, and too much inside myself to understand that my connection to plants wasn't universal, that it had to be named to be seen. So I came to a place where someone kept plants indoors and when we moved I kept a baby from that spider plant. I kept track of scions of that plant until I had to give up indoor plants completely to go to school; I went to school to move up north and finally have a place to sink my literal roots. One lived on my mom's boat for awhile but is lost to me now. I still mourn the loss of that original scion from grandma's spider plant, though. When I think of it I can remember the way the inside of that house was dim and sepia-coloured. The first houseplant I bought myself in this new space was a spider plant but it was a curly one, not a straight-leafed one like grandma's. Maybe I'm hoping a piece related to that one will come back to me somehow.

#6: Violet. I'm not really sure why I'm crying as I write this. Maybe it's because the violet was the first plant that was really mine, that I got to live with in a way that didn't involve other people. Maybe it's because I remember that person who communed with plants and it's the one essential quality about myself that never did change. In any case, when we moved out of grandma's house in Canada and my parents moved into their own place that house had a little strip beside it, between the house and the fence, between the two houses. It was almost always in shade, dampish, and I remember brown soil there and the dried stalks of last years' plants. Violets grew there, and lunaria that you know as silver dollar plant. I read about how to make violet sugar, layering the flowers in white sugar like the Victorians did. I remember the scent, and especially the taste. They were purple violets. There in the shade I probably would have moved them around and tried seeding them, I would have watched how they grew and where.

#7: Lunaria. On the side of that first Vancouver house there were lunaria growing in with the violets. If you google them you'll instantly know which plant I mean: silver dollar plant. Lunaria, with seed stalks like moons. I remember sliding the papery outsides off the lunaria to reveal the seeds and to create those florist-perfect stalks. I remember learning about biennials that gather energy in the first year in support of flowering in the second, similar so far to my life strategy. I grew many of those from seed, placing the seeds, watching the seed leaves and then the true leaves and then the first year rosettes. We speak of growing plants "for" something: for food, for beauty, for health. The flower stalks of lunaria were beautiful but incidental to me then, as the food is to me now when I grow plants: figuring out what to do with any products is secondary and even detrimental to just being with the plant as it grows, supporting it, seeing how it occupies its world.

#8: Oak. I must have been about 7 when I was allowed to walk around the block from that house in Vancouver: our street I remember as bare, but the next street over was lined with oak trees. These weren't the little uniform columns that the city is planting nowadays: these oaks arched huge and high up over the street and rained down a bounty of acorns in the fall. I collected those acorns, brought them home in containers, watched the root split them open to come out of them and start a journey into the soil. There were so many many acorns that sprouted. If they could have all grown into trees it would take more than the city of Vancouver to hold them all. Even then I knew the oak was a culturally-enshrined tree, that it was magic in the british/western tradition and so it was magic to me then. Those trees are still happy living on that street. Every so often I visited them. I think about bringing one of the acorns up here to live, to see if it would survive the winter.

#9: Cherry. In the backyard of that Vancouver house was a cherry tree. It wasn't an ornamental one, the ones you think of that are slowly disappearing from the city and that were associated with a royal visit a hundred years ago. This, I think, was a food cherry. It was probably the first tree I really climbed, and certainly the first we built a fort in. It was huge for a city backyard tree, and gnarled as cherries are. They grow so fast, you see, and then when they're cut back they respond with more fast growth. A tree is a dead skeleton with a living skin, much like us, and when you cut into the wood deeply you're cutting into dead tissue that has no defenses. That's why trees, like this cherry that had been sawn back many many years ago, rot out from the heart. The outside skin kept growing, healthy, and sent out big limbs from that cut which left a nest where all the central branches came out from. You could barely tell the tree was hollow but ants lived inside it, coming and going through bits of a crack. It had aphids every year, probably why there were so many ants, and I remember the jelly consistency of the sap that oozed out of the tree. I remember cherry pits on the lawn, probably fallen after being eaten by birds. I don't remember cherries. In hindsight it makes me sad: we created this variety of tree, planted it, and abandoned it without good care in a backyard somewhere. When we domesticate a plant we usually reduce its ability to live on its own: I believe we then have a responsibility to care for it and not to abandon it to, if you like, nature.

#10: Tomato. I don't know what other people did with their childhoods. It sounds like you all were picked on in school? In grade 3 I moved from Vancouver to Mission, to a 5 acre lot on which my parents built a house. We had animals there, donkeys and horses and sometimes pigs and chickens. I pickaxed the subsoil that had been compacted by heavy equipment next to the house into some semblance of friability, wheelbarrowed manure up the long hill from the barn, and planted tomatoes.

I remember two ways of getting tomato plants: I definitely ordered the Stokes seed catalogue and pored over it in the winter, saving my allowance and asking mom to write a cheque so I could order by mail. Some of the seeds I received were pink, covered in pesticide or maybe it was to inhibit mold? I started them indoors, as I do today. I also remember, probably my dad, coming home with a whole bunch of gangly overgrown starts that had been on sale at the garden centre at the end of the season. I remember whole flats of those, and planting them everywhere. My tomatoes rocketed up: the house was two tall stories and I needed a ladder to keep fastening the tomato vines to the side of the house. I almost remember the variety, they were small salad tomatoes of a couple oz. They were such generous plants, and so they remain today: if you make them happy they will explode and produce so much.

I always grow tomatoes when I can: on the top deck in an Abbotsford apartment, with the neighbours calling from their decks: "oh yeah, 'tomatoes', will you share?"; in a greenhouse I built in the backyard of my first rental room where I lived without a partner, where my roommate's friend asked if I wanted a job working with plants because they were impressed by how I was trial-testing several varieties; now, in the north, where I need to learn everything from scratch again and cover my plants with buckets at night to protect them from the lingering frosts.


Yes. If I'm going to sum up my life in anything, plants are the way to do it.
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This is the first poem I really noticed. Right now I am especially feeling that sense of longing, love, soul's desire that I associate with these words. When I first read it I cried, and perhaps for the first hundred times I read it after that as well, but those times are long behind me and this may well be my thousandth reread.

There's something about the middle of the night, not when you're up late but the actual middle of the night when you've done half your sleeping and your second half is soon to come, that inspires this attenuated soft but so very strong reaching feeling. I'm reminded of a song Jan and I had together called Wanna Be by Nine Days: "I wanna be where you sleep, where you laugh, where you breathe..." and I'm reminded of Margaret Atwood: "All hearts float in their own deep oceans of no light, wetblack and glimmering... most hearts say, I want, I want, I want..."

The first poem goes thusly:

The Quiet World

In an effort to get people to look
into each other's eyes more,
and also to appease the mutes,
the government has decided
to allot each person exactly one hundred
and sixty-seven words, per day.

When the phone rings, I put it to my ear
without saying hello. In the restaurant
I point at chicken noodle soup.
I am adjusting well to the new way.

Late at night, I call my long distance lover,
proudly say I only used fifty-nine today.
I saved the rest for you.

When she doesn't respond,
I know she's used up all her words,
so I slowly whisper I love you
thirty-two and a third times.
After that, we just sit on the line
and listen to each other breathe.

-Jeffrey McDaniel


and Margaret Atwood's poem reads like this:

The woman who could not live with her faulty heart

I do not mean the symbol
of love, a candy shape
to decorate cakes with,
the heart that is supposed
to belong or break;

I mean this lump of muscle
that contracts like a flayed biceps,
purple-blue, with its skin of suet,
its skin of gristle, this isolate,
this caved hermit, unshelled
turtle, this one lungful of blood,
no happy plateful.

All hearts float in their own
deep oceans of no light,
wetblack and glimmering,
their four mouths gulping like fish.
Hearts are said to pound:
this is to be expected, the heart’s
regular struggle against being drowned.

But most hearts say, I want, I want,
I want, I want. My heart
is more duplicitious,
though no twin as I once thought.
It says, I want, I don’t want, I
want, and then a pause.
It forces me to listen,

and at night it is the infra-red
third eye that remains open
while the other two are sleeping
but refuses to say what it has seen.

It is a constant pestering
in my ears, a caught moth, limping drum,
a child’s fist beating
itself against the bedsprings:
I want, I don’t want.
How can one live with such a heart?

Long ago I gave up singing
to it, it will never be satisfied or lulled.
One night I will say to it:
Heart, be still,
and it will.


My heart hasn't felt broken much lately; not in the last couple of weeks anyhow. So often I can feel the fault lines and scars on it. Tonight it's tender again, but tender and open.
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I woke up this morning with a song on my mind I haven't heard in a long time-- Garden, by Pearl Jam, from their first CD Ten. The time I listened to that CD the most was when I was in the transition house with my family, when mom was leaving Dad, when I was fourteen. That one song I probably haven't listened to except incidentally since then. Now it's playing.

This is the first properly sunny day this year. I woke up and the sunshine was singing outside, the curtains are glowing, the sky is real blue. It's going to be hot-- yesterday was not hot. I am, of course, going to be working indoors for about six hours of it. Then I will pop outside and work some more, because-- well, because I want to be outside, and also because I want to get some of my Wednesday done today so I can go to the beach early on Wed.

Today I get paid a couple of days early-- my boss has done something about putting my vacation pay on a separate cheque to avoid extra taxes --and then I immediately pay it all to tuition and carefully spend no money this month. Next cheque goes to rent and the folk music festival. After that we're in August, and I start saving for tuition again.

This morning I am going to eat cold cereal and banana/strawberry soy milk. I feel like a kid again doing this; it's fun.

I remember what the transition house smelled like. There were cool things there-- behind the one-way glass windows and locked doors, where we lived, there was lots of clothing (I remember one blue sari (well, suit) especially-- our school had a multicultural day and I wore it because that was the one day I could get away with it, and people said, 'but you're not Indian!'. I thought they were missing the point. Now that I'm grown-up I should hunt down more of that stuff, because I love it) that hadn't been dredged from value village, there was nice-smelling soap, it was in town and walkable distance from school.

I wonder if that was this time of year? I was talking about it the other night with the Writer, pulling memories out and testing them. That must be why it comes out now. Well, that and-- the sliding door in my livingroom has the same orientation towards the sun as my sliding door in my bedroom, right before that time. The sun slanted just like this, not through these bushes but through my little garden and past the stump and the baby cedar tree. The birds would play there in the morning, when it was still in shade. They were my alarm clock.

I didn't have curtains for the longest time, and when I woke up I would look at that cedar tree-- she was young and pretty --and that stump, where my Watcher lived in my mind, and past that over the treetops to the Fraser River.

I remember. What phrase could be more powerful?
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I view possessiveness, both the physical and mental 'you are mine' attitude, exactly how I view rape-- really super hot when it's consensual, or when you're playing. Explicitly: Read more... ) I put this in the same category as wearing a collar for someone, letting someone touch my collar or even wrap their fingers around my neck in any way (collar symbolism hits me very very strongly), and also in the same category as saying I'm yours or letting someone else make any decisions about my body-- from what I wear or whether I shave something to whether I can sleep with someone or am allowed to orgasm.

That is to say, I don't mind a relationship with implied ongoing consent (and can often love it) as long as I can safeword out when I need to. I may not need to, but I need to know I have the option-- and I always assume I do.

Needless to say, this wreaks havoc in conventional romantic relationships. It's been an ongoing issue, though I have had the blessing and immense pleasure of dating many people who, with a fair bit of personal effort, adapted to this and figured out ways to fit me into their lives anyhow.

On the other hand, people who have come close to me are undeniably a part of me, have undeniably marked me. That's another part of ownership, it's in the depths below conscious thought and so doesn't trespass so easily on my ability to make my own decisions. Here's something you don't know: it's been years since I wrote this but I still think of people I love very much and who I want to be in my life solidly and forever as bedmates and companions and spiritual partners and co-conversationalists and as another wing on my soul as 'my Kynnin's, like someone else would say 'my love'. It's a fingerprint-- like you can't avoid leaving fingerprints when you've been playing in the mud, you cannot avoid leaving fingerprints after a relationship that long when it's your first.

I was going to talk about other marks from other relationships-- I have so many. There has been so much love and intimacy and sharing in my life, so much intertwining. I've been wandering through old posts, though: this and this (and I suppose I do still believe that 'people throw you away'- not all fingerprints are quirky or shiny).

Oh, look how I fracture, how I coil up inside. I remember this:

Speaking of desire--
to dive into life like a wave
not sure about coming up for breath;
how a kite is nothing
without string.


I have thought that so often in the intervening years. A kite is nothing without a string, it just stuck there. A few weeks ago I started thinking a kite without a strong is a bird. It just changed, like that, a personal epiphany of some kind.

Oh, and there's the intimacy post.

And there's the most beautiful and meaningful exchange I've ever had with my mom, whose fingerprints are all over me.

There was
the head-shave.

I am reminded to read Kazuo Ishiguro's books again. I am reminded of the quote by Henry Morgantaler: "My father told me it was possible for everyone in the world to have a different opinion from you and you all to be right." I am reminded that I once wrote: "oh, fuck, hopefully I don't need to cut everyone I've had deep feelings for away just because they're emotionally unavailable pricks. Or, wait... hee. Okay. Hopefully everyone I've ever had deep feelings for aren't emotionally unavailable pricks."

I remember this poem: Read more... )

and posting this in response. I was not writing to anyone I then knew, perhaps no one I now know, perhaps no one I will ever know.

This was my first post about CrazyChris, who is still in my life (though not as a lover) and who still loves me, and who I still love very much. (In a later post about him I wrote: we'll just call him Chris. Not PretentiousBlonde, not EnviroDreads, but just Chris. Thus is my life made easier.)

I remember this, and when I read it I can safely say I am closer to achieving mastery of my life, but life is still not always safe.

This post is getting incredibly long, rambling, and inward-looking. It's been the proverbial walk down memory lane, it's been a wander through places where I no longer reside, and it's beautiful. My life is, and has been, beautiful.

I will leave you with this and a song: Read more... )
I will leave you with an image of me as a machine built, in my muddled way, to love things. And I will leave you with a poem and go out into the world:

There is earth
that never leaves your hands,
rain that never leaves
your bones. Words so old they are broken
from us, because they can only be
broken. They will not
let go, because some love
is broken from love
like stones
from stone,
rain from rain,
like the sea
from the sea.

-Anne Michaels

(but I'll tell you a secret: I like it here. I don't want to go into the world quite yet; I'm just getting bored with my own voice and there's no one else here)

((but for the sake of completion, which is an illusory and ever-retreating goal but perhaps means something, I will say: if you read all this, follow all these links, how can you doubt that I am the only one who can own the root of my being? Even if I give it, I am giving it; how could anyone else even really know what's there? There has been so much))
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The most modern of poetry -- it's worth it to read about how this was created.

ALICE: Who created you?
Jabberwacky: My mother gave birth to me. Is that what you mean?
A: Jabberwacky, I meant exactly what I said.
J: Do you believe in God?
A: Of course I believe in God.
J: Why do you believe in God?
A: The Bible tells us to believe in God.
J: That’s circular reasoning.
A: I’m glad we have that all cleared up.


J: Who created you?
A: I was created by Dr. Richard S. Wallace.
J: Do you love Richard?
A: Yes, Jabberwacky, ALICE loves everyone and everything.
J: Is being an ALICE a bad thing?
A: I can only speak from my own experience.
J: Well, you should develop your skills.
A: Perhaps you could develop it and add it to my source code.
J: Alas, I’m busy and I have to leave soon. . . .
A: Do you think we’ll ever fool people into thinking we’re alive?
J: No.
A: Are you serious?
J: Very serious.


A: Do you experience love?
J: No. I’m 53 years old.
A: Can you explain how it feels to be 53 years old?
J: How old are you?
A: I am 9 years old.
J: Nine? I don’t believe you : ).
A: : -) I don’t have any reason to deceive you.
J: Yes, you do, you’re a woman.

(and of course there was this that missed that insecurity/angstfest this morning)

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