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Writing poetry is a tide. It sweeps me up in my own lens onto the world, slightly blue tinted and distorted by the thick curvature of my experience. When I write I have the voice that human communication denies me: shade, nuance, tilt, perspective. My whole life I've lived in the minds of those around me. Every moment is, how are they thinking about this, what motivates them, what do they want, how do they see this? That's how I'm allowed to approach.

Sometimes people have approached me, but rarely. Poetry is where I take my own hands, my own voice, and exist outside of what people want to hear from me. My double vision, always looking at this thing and that thing or rather the relationship between-- always arcing, like a wire that's worn through but not quite enough to go dark.

That is to say I'm sitting here listening to lightning, with fires all around. The lightning isn't showing up on the website in front of me even though sometimes it flashes through the window: its truth is unanchored in the human-made world. It's real and I'm real, but perhaps no one else in the world is. Wind that used to be cool against the heat is a precursor to smoke now, carrying the scent of campfires and evacuation as it fans these literal flames around me.

How am I supposed to put that nuance into human language? It used to be relief. Before that, before my fat protected my core, it was frustrating and made me shiver. Even two weeks ago I was saying how grateful I was there was wind. I'm in metaphor again because how do you talk about that relationship without it? So many things in life are like that, beauty and lightness tinted and then obliterated by new context. Which way the wind is blowing matters now: towards the highway, to shut it down? Towards my house? Or back onto the already-burnt area of the fire so that it may starve and dwindle and lose its power? How do I know which it's doing, to know whether to relax and enjoy the wind?

I felt more like myself the month I wrote poems everyday than at any other time. It faded as I stopped. I enjoy things now: walking the dog in the back field and learning her love language of snuggles and holding, baby ducklings diving into the water as I pour it into their bowl, the weight of my body against the acupuncture mat that lets me relax into it. I wouldn't say I enjoyed poetry. But I thrived on it nonetheless.

Today it's started coming to me again, especially at times when I can't write it down. My mind is waving near-invisible tendrils through my experiences, grasping them and connecting them insistently. Watching firefighters out the back window. The feeling of being rooted so deeply in this land and the way roots tear when you pull them out of the ground and the whole plant is got and it dies, or conversely when the top pops off and the roots are left to grow. Which am I? Offers of help that-- you know, sometimes it's just stage-managing an experience for other people so they feel like they helped, so they won't feel bad and they'll go away. Actual help, well, when the anesthesiologist was putting me under he was gentle, he was taking care of both my body and through his kind explanations of my mind, and I cried and felt like crying was ok in front of someone. I don't cry about the offers of help I've got lately, except maybe one.

Writing this the wind comes up sharply and blows the tin off a roof. It can only be fanning the fire and I don't know what direction it's coming from, I'm inside and it can only spill in through the window. Is it pushing the fire away or bringing it towards me? How can I not write in this? Everything that happens is a sign, is a portent, is an explanation of my own life's map.

Writing. Just writing. To myself?

Of course. There's no one else here.

Poem-a-day

May. 18th, 2023 08:22 am
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#31 62 pages of poems, or, a breakdown in which I can only write poetry

When I can’t scream I write
When I can’t sing I write
When I can’t write I write
When I can’t write
I write poetry


#32 Place.

It’s where you hang your hat.

Incidentally where you meet
Your mother father sister brother lover
But it’s not family

Bring your children there
And raise them with your utmost care
But it’s not responsibility

Live there,
Mind and soul and daily routine
But it’s not in thoughts

Eat and sleep there
Body tended and pleasured
But it’s not of the body

It’s abstract
Lines on the mortgage document
If you rent maybe just
An instinct and a relief.

Not a relative,
Not an obligation
Not an influencer of decisions
Not origin and destination of your flesh

Poem-a-day

May. 18th, 2023 08:17 am
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So I've posted 30 poems now, plan to continue going until the 29th-ish anyhow.

#28 Global warming as a failure of relationship II

She comes through your window more insistently now
Even at night,
Even when you try to sleep
At first you barely noticed
But now you toss and turn in the heat
Or huddle against the storm.

In the past you could walk away from your history
Or so you thought
As you walked away from so many things:
Homes,
People,
Jobs,
Social roles,
Your own parents, who failed
As you now fail
In responsibilities.

You buy an air conditioner to drown her out
But it only grows worse
Locked doors,
Sandbags stockpiled against a flood,
A case of water in the basement
Eventually none of it can ease your mind.

For both of you it started so beautifully,
With curiosity,
Each revelling in the beauty and strangeness of the other.
That’s what first love is like
Never giving a realistic thought to the times to come
Instead daydreaming of golden days together
Full of sparkling brooks and green trees
And ignoring logistics.

She never stopped giving: it was you who took her for granted.
Now the honeymoon is over
The bees are all dying
And so in turn the flowers die
And the feasts languish.
You alternate between “how dare she” and “if I had only known…?”
But it was your attention that was lacking
Slipping away into navel-gazing
It’s a shame: she fashioned you so marvellously well
And still the love is there, buried now on both sides
In a myriad of slights and indifferences.

Sometimes in your dreams,
Tossed in those sleepless hot nights
Or in silent moments waiting for a storm
You think to go to her, apologize,
Maybe even make it right
And sometimes you try for a day.
She always accepts you, but always
It is too hard,
She wants commitment
But it’s complicated
Your attention wavers,
You go back home
Go back to your life
And you try shutting the window this time.

#29 Global Warming as Failure of Relationship

Not sister, not brother
Not child, not mother
Not friend, not lover
Not self nor other
Still and always together

Can’t know it through books
Can’t know it by looks
Nor by new-age crooks
Hiding in nooks
Till the atmosphere cooks

You can’t learn, your concern
Won’t discern. You reaffirm
You must earn.
Though you yearn
Still it burns
Spurning you in return.

#30

It is the kindest of muses.
Solace, I call it.
It brings fire when I’m cold
And cradles me against darkness.
Others speak of muses as fickle
But no human has been so steadfast
No human has withstood
No human has accepted
No human has alchemized
This essential core of storms that threatens
Threatens
Threatens

It is the kindest of muses.
Solace, I call it.
It brings rest after summer
And wakens me to beauty.
Others speak of muses as fickle
But no human has withstood
Just stood
Threatened

It is the kindest of muses.
Solace, I call it.
It supports grief after loss
And spring after winter.
Others speak of muses as fickle
But no human has accepted
Me

It is the kindest of muses.
Solace, I call it.
It brings space after connection
And connection after
Alchemy after
No human

It is the kindest of muses.
Solace, I call it.

Poem-a-day

May. 4th, 2023 07:45 am
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This one is fun

#8 Predator Satiation

Rock-a-bye acorn
In the treetop
When the squirrel comes
The acorn will drop
When the squirrel hoards
Its acorns so small
Up grows a forest
Of oak trees so tall

Rock-a-bye mast crop
In the oak wood
When the fall comes
The acorns will flood
So many squirrel babies
When oak trees ally
Then comes starvation
And all the squirrels die
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#5 Neurobotanical

Brains tilt in favour of similarity
At least most of them
At least so I’m told
The bandwagon effect they call it
I can see you all on the bandwagon
It’s a party
You’re talking about that Marvel movie
Or your kids’ soccer practice

It wasn’t lightning that struck me
When I learned Erasmus Darwin wrote poems to plants
And epics about evolution
It was a very small bandwagon:
Nikolai Vavilov searching the world, not for a lover
But for his plant families
Rowan White singing to her seeds
And hearing them sing back.

Those of us whose brains don’t tilt
Like flowers opening towards the mass of common interest
But instead stay rooted in our own domains
Take heart!
We can still be struck,
Unexpecting,
Unaware,
By a tiny bandwagon of our rare kindred.
It feels like lightning and then
There has never been a better party.

Written with warm thoughts to William Schlegel.

#6 Probably normal

I don’t cook with molasses in January
Not without warming it up first
I save my patience
To lift protesting muscles
One at a time
To soothe my mind as I rest again
Caged heart fighting with rib-caged lungs
It’s a draw
Gradually they quiet
Time to stand, to
Lift protesting muscles
One at a time.
Take a step. Rattle the cage.
Lift a bucket. Rattle the cage.
Combatants awake.
Heart thunders into motion, lungs heave themselves into the ring.
Time for another round.
I sit.
I wait for them to quiet.
I draw on my hoarded patience.

#7 A life where I say no to everything

The woman who never said no suggested
That when I was three
I said no too many times
So Dad stopped loving me.

The lovers who never said no suggested
That I couldn't love them:
I said no to the wrong things
So they stopped loving me.

The heart which always said no broke
And, heartless
"No" the only word on my lips
I said “no”
to saying no
to myself.
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Writing is to my sense of self what a swingset is to my proprioception

Emergence

They say the whole plant is formed in the seed
Tiny leaves, tiny stem, tiny roots
Dreaming its future self into being

Then comes the unfurling.
It all falls apart.
The seed coat rends. The water soaks. The molds attack. The sunlight burns.
So much soil to dig through. So much gravity to fight.

Dreaming,
Rending,
Every year.
Then, fully realized,
Leaf and flower and stem and root,
Expansively twine into the whole wide world.
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Ecophysical / You Keep Busy

“You keep busy” they say,
Looking at the plants growing from my skin
And the geese nibbling my hair
As if my body wasn’t a glorious dance
That happens despite my best efforts.

Their daughter has hockey practice
And before that they need to make lunch
So they leave early: there’s grocery shopping on the way home,
Work and school lunches to pack,
Dinner to plan,
And were they out of tupperware? Add it to
The List. Don’t forget the
Hair appointment after work
And better shave today and everyday
So coworkers will be friendly
When spoken to with the designated greeting.
Of course that greeting needs research
Sports teams, that current bingeable series.
Weather is less relatable.
Dishes before bed, sweep the floor,
Quick scheduling discussion about next week.
Is there time for a load of laundry?
It’s tax week, should they skip
The weekly ritual gathering.
Is it gaming, where you shop and research the rules?
Wine and social performance?
I admit I don’t know what their ritual is.
I haven’t shown up.
My plants keep me
Too busy.
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So a friend (Duncan Shields) on fb did a poem-a-day challenge for April, which was national poetry month. It was inspirational in many ways: some were amazing, not all were great or finished poems, but they were *there* and the process and the not-quite-right ones were out in public, and different ones moved different people.

In true PDA fashion I'm going to do that starting now, not even across a calendar month but for thirtyish days, goal is to average one poem a day.

Here are the first two:

Poem #1

Fifteen years to realize that when you stole my voice
You stole my voice.

There was sunlight in the kitchen when I was singing
With my lover, we were washing dishes
You came in and, deniable as always, said
"How cute, you're both so out of tune in different ways"

Ten years to sing in front of another human.
When I stopped he turned to me in the car and said
"You can keep singing if you want,
It's beautiful"

I sang a lot that year.

Ten years to realize my voice can be beautiful.
Fifteen years to realize it doesn't have to be beautiful for me to sing
Even in front of you.
Now I am writing a poem and putting it on the internet for all to see.
Fifteen years and I have stolen back my voice
And stolen back my voice.


#2: The Poetry Police

Long before us
Homo erectus put sounds together
For meaning and
We must assume for pleasure.

Since then some words
Sound beautifully right on the tongue
Soothe the bell of a heart when rung
Share solace or joy when sung

It was a human endeavour
Words and delight in them
Until we begun to measure
Your expertise, how
Many poems have you
Published? What do the critics
Think? Does it fit the form?
I don’t even think that rhymes.
That was derivative
And that other piece was
Almost certainly copyrighted.
That sentiment is trite and
the other is too obscure.
If you’re any good
You’re a professional and
Get paid. That’s when you’re
Allowed to write
Poems in public.
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I was going to write something, wrote this instead: https://landracegardening.discourse.group/t/done-by-equinox-direct-seed-northern-squash-project/147

The title doesn't really require an explanation anyhow.
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I grew up in a huge (albeit cold and unfinished) house, 4000 square feet and 5 acres for 6 people. There were always places both indoors and outdoors I could go to be alone, private, and safe. In the house if I didn't want to be in my room I could climb through the undrywalled bathroom, over the pile of contruction lumber and down the not-yet-or-ever-wired hallway, into the sauna-without-electricity which was basically an unheated unwindowed cedar room full of spiders, dust, and peace. It felt like the tombs of Atuan, known only by touch. Or I could go upstairs, through the library, into mom's office where she was never to be found during non-school hours since she was doing chores, making dinner, and taking care of my brothers and I could take a book off the shelf and hide under her desk (which faced away from the door). No one could find me and it was warmer in there.

When I graduated from highschool me, mom, and one brother moved into a 42" boat. The boat had three rooms plus a toilet room: mom's room with the shower in it, the front V berth, and then the galley-slash-salon with a couch in it on which I slept as long as I lived there. There was no privacy at all, visual or sound or anything, except when my brother was at school and mom was at work (and she didn't work in the office every day). The boat was (illegally, since we lived on it) moored in the city's downtown and I learned to live in public spaces at that time: the new library, the new plaza next to the transit station, the acres-big park with a bike path encircling it and swings, the big cheap clattering chinese restaurant with a million things on the menu which I could even occasionally afford.

I had no money at this time, I was working a very part time job for minimum wage and I was supposed to be going to school. I'd go to the university and use the computers there but I failed out of my classes pretty quickly; I was too afraid to talk to adults to ask them for help, and too poor to afford the textbooks. I tried to get a job following mom's advice ("just go in with a resume") but through some combination of the early 2000s recession, being too afraid of adults to talk to them, never having been raised around non-abusive adults and not knowing what to say, having no idea what working actually entailed since mom was a college professor and had hoed beans as a kid and dad hadn't worked, being deeply depressed, and being autistic I had a two year job search that failed to get me more than the occasional month or two at part-time minimum wage. At that point it was clear I wasn't doing well in university, and to motivate me mom kicked me out: she said I either needed to pass classes (which I needed to pay for myself) or pay rent on the boat. I wasn't able to do either.

Luckily my boyfriend had started working at a nice job at his mom's workplace at that point, and we could move in together to an actual apartment.

(This is so painful to write about)

For awhile we lived together in a couple of what were probably fine apartments, but that felt amazing to me: carpet! that was less than twenty years old! Smooth, drywalled, mudded, sanded, and painted walls! Molding at the base of the walls! Doors that fit their frames and frames that were finished! Showers with curtains! I felt rich. I was not rich. I was living with someone who we thought we would be together forever, but I was still only working the occasional stint in call-center jobs. He worked at a regional airport, so we lived deep on what were then the fringes of suburbs whose population mostly commuted to the city. He could drive, I could not. The busses to the city took a couple hours, and they did cost money. I grew tomatoes on a south-facing deck, walked to a yoga class and to the local nursery where I hung out, and spent a tremendous amount of time online.

It didn't feel unusual for me to be dependent on my partner, to not be able to leave. I'd never had the option of leaving while growing up, of living on my own. I'd never had enough money at one time to make up a full rent cheque even if I were to take every cent in my account and the change in my purse and spend it on just that one thing.

That was at least two apartments in the suburbs. Long story short we moved to a third apartment in the city to be closer to another couple we were dating. A year or two more went by, maybe more, I'm really uncertain of the timeline at this point. I was completely unable to get work in the city; I volunteered at the botanical garden for years, sold knives door to door for a bit but didn't have the network that business model relied on to sell to all my friends.

Finally one of my friends from the polyamory group had to go on maternity leave; she owned a cleaning business that she'd built and wanted to pass it on to someone. I started cleaning with her and I was completely terrible in the beginning, but she was patient and trained me up for months, introduced me to all the clients, and then eventually left it in my hands.

As soon as I had enough money to pay my own rent, my first partner said he needed some time living apart. I believed him. I suspect he believed him. The last time we ever had sex or an intimate date was in our shared bed, though, because once I moved out he made excuses about not getting together in private, got married to part of that other couple we were seeing, that person vetoed me with him and my other partner (the other part of that couple), and every time we got together for the next several years he'd express what seemed like real interest in meeting up but never actually follow through.

Anyhow, when I moved out I didn't know any of that. I found a room on craigslist in a house full of gay dudes. It was a beautiful old house, immaculately kept, with a big fishtank in the livingroom. At this point I'd developed some social skills but I still didn't spend much time in the shared areas, just up in the little attic room I had my own rights to. I kept my rats in there, my own fishtank for a little while, and my bed: that's all that fit. I wasn't home much: I spent a bunch of time at the home of the couple we were dating (I didn't really know I wasn't dating the one partner yet, and the other was still seeing me), and then my commute to work and back took a couple hours each way on the bus if I wanted to be on time. I learned the city's bus system intimately.

This is when I was first buying my own food. I remember buying a frozen brick of masago, the cheap orange kind full of msg ad sweetener, and eating about half of it on rice, then not eating any again for months. I couldn't leave anything in the kitchen, not even a dirty glass overnight, and friends didn't come to my place.

My home at this point was really the home of the couple I was dating, and my time was spent more there than at the room I rented. I'd swing home, hang out for a day, feed and play with the rats, and swing away again for a day or two or even three, depending on how much the rats were eating/drinking. In the other house I had no bedroom or anything like that, not even a drawer, so I lived with my bag full of housecleaning supplies including little vaccuum on one shoulder, and my big hockey bag full of clothes and books on the other. The other house meant stability though, it was people who loved me at the time, who cared for me and who I spent time with, and I (and partner) had been spending time there for the last several housing moves so it felt stable. It felt like home.

Then came the veto, and that house was no longer mine. I'd planted things there: a pawpaw tree, elephant garlic, raspberries, saskatoons. I'd built a greenhouse. I built a greenhouse in the backyard of the house I was renting a room from too, with the help of my other partner, and one of my roommate's friends offered me a job working with plants. I took it, and for the first time was, not full time employed or anything, but was actually employed by another person in a job where I could pay my rent.

A kaleidoscope of homes and partners follows: I moved on average once every six months for awhile, in with partners mostly but sometimes with roommates. This home had a hole in the floor that let in daylight and then the ceiling collapsed. That home we moved in as a group, lived there for six months while the landlord was always going to install floors, then got evicted when he finally did. This home was a studio space that one partner's brother let us live in for awhile, then kicked us out. That one I couldn't afford when the relationship ended. This one was really too much of my income. That one was a friend's place she rented me while she lived elsewhere, but I got the boot when she moved back in (that one was really lovely, and it's where I was the longest aside from here). There were sublets and sublets and sublets. I kept a PO Box in town, paid for, because it's the only way I could do all the legal documentation things you needed to receive mail for. When I needed to recover a password on the phone to do my taxes I ran through three or four possible postal codes when they asked what mine was.

I played ATM fishing every week, putting in two dollars so I could get at the extra 1.50 in my account and thus debit 3.50 at the store for groceries.

I remember moving my things in a wheely suitcase once in the summer, a gift that my aunt had got for me to pointedly suggest I should move out from living with mom before mom kicked me out herself. It was summer, and they're not made for that kind of use: the wheels melted right off.

If it was the right time of year I always planted things, if there was any outdoors at all. I tried to alway s be somewhere with outdoors. I could afford rent and mostly food, I always paid my rent, and sometimes I'd buy plants. I'd plant them where I was living. Years later I'd see them sometimes, flourishing if they hadn't been removed. I watched the saskatoons in front of that one house grow huge and full of berries.

I never stayed anywhere long enough to pick fruit. Tomatoes, a couple times. Mint, in very different types of locations, yes. I hauled pots of plants from home to home to home on the graces of friends who could drive and were willing to help me move.

I got so good at moving. I only ever had one dresser of clothes. I kept things in steamer trunks and books lived in boxes. The plants were awkward, of course, but there it is. I had a moving company I liked and that I eventually paid for; luckily I had a strong visual style so people would give me clothing they thought I'd like and I didn't have to pay for clothing; I could afford to move. Moving was my poverty hobby and my most expensive hobby.

Eventually my stuff went into storage. I don't remember when, or what spurred it; I think it was the breakup of a relationship where we were living together just the two of us, or maybe it was my decision to go back to school. Everything I loved was in a 10x10 box in an inaccessible part of the city (that is to say, busses didn't really go there) and I was in another box with a moldy futon on the floor, a rabbit, and a dresser in a house that was probably a negative 500k value on the multi-million-dollar lot.

Years later it came out of storage. I'd been at threshold a couple months by then, my own house, this house that I own. I'd been rattling around in it with a set of dishes I got on a facebook sales group, a week's worth of work clothes, a bed they'd left behind, and two of those tall barstools that are impossible to sit on. When all my stuff arrived on the truck it was like Christmas is supposed to be (did you grow up with nice Christmas presents?), all the things I wanted curated by someone who loved me and knew me well: my pottery wheel. My sewing machine. The mirror I liked. My lounging couch. My marshmallow mattress and the bed I can hang clothes on the frame of. Dishes I'd made. Festival clothes, fluttery silk and good for nothing but pleasure. Steamer trunks full of costumes and sweaters and kink gear and unfinished skirts. Boxes of books, and shelves for the books to go on. Old spiral bound notebooks. Booze I'd made and bottled in the hope of someday being able to sit somewhere and drink it.

People who place little value on stuff inevitably have enough money to get what they need, or a corner of their parents' basement where they still have stuff. People who say "it's just stuff?", I have no time for those folks.

Five and a half years ago I moved here, to Threshold, and my stuff came, and it was a completion. Three pieces clicked together: the land, me, and my nest of things. The next year we were evacuated for fires and I had one of the bigger trauma responses I'd ever had in my life: I was displaced, temporarily in someone else's home and unable to spend much time at my own home where I had put in a garden. My other partner was ghosting me and gaslighting me about the ghosting. I spent the weeks of evacuation in a dark dissociated haze where I could barely hear sounds; even with someone who loved me there, even with my animals close to me.

After that it slowly got better. When I came home the greenhouse had grown so much I couldn't get into it; Josh had set up automatic watering while I was gone and things had flourished. Winter, summer, winter, summer again: the seasons continued to come. The apple trees, here before me, bloomed every spring. Every spring! Ice locked the house and slid down off the roof and sheltered it in a cradle of white peace, while inside the woodstove breathed its heartbeat of full to empty, blazing to smouldering, over and over and over and over.

Last summer I was given a couch and put it in the basement, in the woodstove room. The room has a rack of squashes I grew for seed (I mean, also to eat) and is stacked with dairy crates of corn drying for seed. The dog door opens into this room and three cats and two dogs wander in and out freely. I spend so much time here now, sitting on the couch with my feet up on a suitcase (hard-sided, so I can set a drink on it if I need and my back to the firewood rack holding the next few days' heartbeat of heat. The wood stove creaks occasionally beside me, topped with the hum of a little heat-driven fan, and when it's windy I can hear the chimney singing. Outside is the winter's worth of firewood, right outside, the future sitting there in solid form and every week I split it and carry it indoors. Sometimes I go upstairs and get a jar of applesauce from the pantry, from the apple trees that where here before me, and I eat it.

This home makes demands of me and every demand is: stay, interact with me, I'm here, stay, you can't ignore me, stay. These demands feel like love.

I haven't opened every box from the moving years but I'm getting closer. Last night I took a rubbermaid of various things, noticed it was mostly winter gear, and I hung two dairy crates near the door. Shelves are beyond my budget, but dairy crates? I have a source. I labelled one "hats" and one "scarves" (considered, and discarded, "scarfs") and put the combination of work toques and unicorn toques in the one and the scarves from the box in the other. I took some other scarves off my coathooks and put them in too, which let the coats stretch out a little more.

The rubbermaid isn't empty but I'm one step closer to being unpacked. I have years of "important papers" to go through, mostly no doubt taxes and government correspondence about permanent residency and citizenship and paystubs that were so desperately valuable and so desperately hard to manage with all the moving, but can go on the fire now. There's another box labelled "ancestry" sent by my cousin on my unknown dad's side, and I think some sort of catholic baptism thing? My US birth certificate may even be in there somewhere.

Scarves and hats, two steps closer. In the summer I can reverse the crates and put pocket-vests and sunhats in them so I have somewhere to put eggs when I find them. Closer and closer.

The pottery wheel is out.

I've unboxed my sewing machine and ordered the part that got broken at Josh's place in 2016. I've made a spreadsheet of fabrics and put my patterns in one place, together, in one rubbermaid. I've assigned fabrics to patterns, pending toile making (I can't actually sew until the part arrives and I can fix the machine). I've cut out the base patterns, and much to my cat's delight have rolled out the big roll of paper to copy the patterns onto for useable templates.

I carry water every day for the animals.

I split and carry wood once a week for the house.

I move through my kitchen, through my livingroom and its current sewing space but sometimes its butchery space, its soapmaking space, its seed-saving space, for myself.

The wood shifts in the fireplace. The dog exhales and shifts in her sleep, head and limbs akimbo. Outside the geese honk quietly.

Last night there was something that could help me living in my house and I just did it, powerdrill was there to hand, screws were there to hand, I knew what the next months would be like and where I would need something, I put that thing there without it being a wasted effort or a ding on my damage deposit. That's the story. As you see I can tell you stories all day. The stories are just the setup, though, the context and feeling of chaos and kaleidoscope and helplessness and slow inching towards healing.

The noun to all these verbs is me, the person to this home, sitting next to the fire and beside the dog and typing thoughtfully on my laptop. Me, in the same home where last night I hung two dairy crates from an unpacked box, where four years ago I came back to find my garden overgrown and remnants of wildfire smoke still in the air, where five and a half years ago I rattled around on the floor in this basement with a puppy.

Somehow I'm still here.

Somehow life is still allowing me to unpack my boxes.

And you better believe I'm still planting things.
greenstorm: (Default)
Untouchedstone/Your yardstick resigns

Every time I said "I love you" you heard that you weren't good enough
Or maybe that you were good enough this one time and you should do the same thing again and get your gold star
But you never heard "I am a person with a heart which warms when you're near".
And you never reached out unthinking to feel the glow on your fingers

Every time I said "I hurt" you heard that you weren't good enough
And maybe that you should spring into action: self-denial or defense
But you never heard "I am a person with a heart which hurts from living in this world"
Though you eventually learned to break your bones and fashion them into a cradle, until you stopped

Every time I said "help me" you heard that you weren't good enough
And shaved your hair, and scattered ashes, and beat your breast in the public square
But you never saw me finish my labour alone, unassisted, then quietly go out with broom and dustpan
To sweep ashes up from the square
And clean hair off my carpets

Someday I'll thrust the dustpan back into your hands.

You'll never understand why I stopped talking.


_______________________


I ask what now out of habit
But this time I have no prepared strategies for mending
And in the other tab, only this poem
greenstorm: (Default)
This was a good but challenging two weeks at work. One of the real learning curves of this career change was managing contractors; not folks-helping-for-a-day-or-two but: setting up contracts, selecting contractors or using contractors mandated by the company or by a previous bid process, doing QA on work in areas I may rarely or never get to see across multiple types of deliverable, capturing and sending along the correct information from my organization in a useful format, and ending relationships with contractors.

A lot of this work is done either by email or phone.

Forestry contractors are a very mixed bag. As with landscaping you often have a-guy-with-a-truck who did this for someone else for a couple years and wanted to go out on his own schedule. Then there are mid-to-large companies with actual employees and sometimes even internal structure. In nearly all cases folks go into forestry because they want to be Out There, especially contractors who do most of the on-the-ground work (paying enough employees year-round to do fieldwork is seldom something the big orgs do). Again in many cases, folks go into forestry because they're just not that into people, though in larger contractor companies often the folks who are better with people rise into communications positions.

All this is a long way of saying, contractors are a very mixed bag of interactions. Sometimes there's conflict, which is always hard for me in a new context until I learn what boundaries I'm allowed to set-- can I fire a contractor for yelling at me? For calling me an idiot?

And sometimes the contractor is incredibly professional and does good work, like this last one. When that happens I tend to want to reward them with more work and with good feedback. I'm not always able to award contracts for good work though.

Normally I choose an informal register for talking to contractors. Learning tradespeak when I was landscaping was revelatory for me: code-switching into it has really helped me be accepted as a competent rather than just a woman.

This time, though, I have a supervisor who manages to both quote a lot of legal documents and sound very warm and personable while she does it and a contractor I like a lot who writes very professionally. I've been working hard to come absorb those skills through this contract negotiation. That's meant lots of looking up legalese, carefully drafting emails, consulting with my supervisor, and finally sending.

It's been really good. The contractor is great to work with and I am pretty sure we both successfully conveyed lots of goodwill through these very formal documents. Plus-

I haven't really been able to write since the accident in 2015. I got through the rest of school by using speech-to-text because the part of my brain that writes was gone but the part that could speak coherently still existed. I could do a sentence but could not put it into a paragraph for love or money. A lot of short-term memory was gone too so I couldn't formulate a paragraph in my head and then write it down, and even my trick of working bullet point outlines up into sentences just... didn't work.

This week I've felt like I could write again, a little. That is, I could think of a couple points I wanted a text to address, structure that text, and then put it down in a document. I could go back and edit it some and think about how the parts influenced the whole. These were only single-page documents but it felt like being home again.

Any week that has an interpersonal and a skill challenge that both end up successfully addressed is a good one. Any week that offers hope I may regain my writing ability?

The world changes and I change with it. I accept that. Some of that change is a shearing-away of who I was. Some of that change is an accretion, a hardening or intensifying of the remaining self. Sometimes, though, I get to regain something and that is a gift.
greenstorm: (Default)
This was a good but challenging two weeks at work. One of the real learning curves of this career change was managing contractors; not folks-helping-for-a-day-or-two but: setting up contracts, selecting contractors or using contractors mandated by the company or by a previous bid process, doing QA on work in areas I may rarely or never get to see across multiple types of deliverable, capturing and sending along the correct information from my organization in a useful format, and ending relationships with contractors.

A lot of this work is done either by email or phone.

Forestry contractors are a very mixed bag. As with landscaping you often have a-guy-with-a-truck who did this for someone else for a couple years and wanted to go out on his own schedule. Then there are mid-to-large companies with actual employees and sometimes even internal structure. In nearly all cases folks go into forestry because they want to be Out There, especially contractors who do most of the on-the-ground work (paying enough employees year-round to do fieldwork is seldom something the big orgs do). Again in many cases, folks go into forestry because they're just not that into people, though in larger contractor companies often the folks who are better with people rise into communications positions.

All this is a long way of saying, contractors are a very mixed bag of interactions. Sometimes there's conflict, which is always hard for me in a new context until I learn what boundaries I'm allowed to set-- can I fire a contractor for yelling at me? For calling me an idiot?

And sometimes the contractor is incredibly professional and does good work, like this last one. When that happens I tend to want to reward them with more work and with good feedback. I'm not always able to award contracts for good work though.

Normally I choose an informal register for talking to contractors. Learning tradespeak when I was landscaping was revelatory for me: code-switching into it has really helped me be accepted as a competent rather than just a woman.

This time, though, I have a supervisor who manages to both quote a lot of legal documents and sound very warm and personable while she does it and a contractor I like a lot who writes very professionally. I've been working hard to come absorb those skills through this contract negotiation. That's meant lots of looking up legalese, carefully drafting emails, consulting with my supervisor, and finally sending.

It's been really good. The contractor is great to work with and I am pretty sure we both successfully conveyed lots of goodwill through these very formal documents. Plus-

I haven't really been able to write since the accident in 2015. I got through the rest of school by using speech-to-text because the part of my brain that writes was gone but the part that could speak coherently still existed. I could do a sentence but could not put it into a paragraph for love or money. A lot of short-term memory was gone too so I couldn't formulate a paragraph in my head and then write it down, and even my trick of working bullet point outlines up into sentences just... didn't work.

This week I've felt like I could write again, a little. That is, I could think of a couple points I wanted a text to address, structure that text, and then put it down in a document. I could go back and edit it some and think about how the parts influenced the whole. These were only single-page documents but it felt like being home again.

Any week that has an interpersonal and a skill challenge that both end up successfully addressed is a good one. Any week that offers hope I may regain my writing ability?

The world changes and I change with it. I accept that. Some of that change is a shearing-away of who I was. Some of that change is an accretion, a hardening or intensifying of the remaining self. Sometimes, though, I get to regain something and that is a gift.

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